i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may … Continued

March 16, 2020

Abstract

Sunbird Records was created in 1999 by Steven Lindley and Ian Almond as a platform to release world music in Darwen, Lancashire. After no more than ten years, releasing no more than ten albums as physical CD records, the label ceased trading and lay dormant until 2013, at which time the label was redesigned to … Continued

Between the late 1970s and the present, there has been an important shift in the evolution of alternative culture. This transition, from subculture (Hebdige, 1979) to post-subculture (Thornton, 1995), has yet to be comprehensively understood by cultural discourse or applied practically as a method for cultural production. To this end, the present study is concerned … Continued

In order to create an independent record label, the present study designs a platform which facilitates the emergence of a post-subcultural network, the network and its counterpart organisation is what the present study posits as a Record Label. Sunbird Records is created as a multifaceted platform which promotes the development of its network through its … Continued

It may be useful to first define some of the present study’s keywords in order to facilitate the reader. The present study employs the term ‘Neo-tribe’ (Maffessoli, 1996), this is a useful term in order capture an organisation of participants which work collectively to produce and consume a type of dialectic, post-subcultural or context specific … Continued

The present study departs from PhD tradition, it pioneers exciting and challenging ways to conduct research within the field of design, and area of post-subcultural discourse. This study is a practice-based research project, which can be better understood through Linda Candy and Ernest Edmonds’s definition of practice and of research. In their 2018 paper ‘Practice-Based … Continued

There are some more useful and direct practice-based methodologies employed throughout the thesis which will be highlighted in a chapter’s introduction where necessary. For example, the study benefits from a more acutely incisive and valuable method in its autoethnographic fifth chapter, which supersedes participant observation (Clifford & Marcus, 1986), with the more practice-based approach of … Continued

The present study’s approach strives to be both more engaging and innovative than previous research because of its unique dialect, context and independence. Sunbird Records aims to develop a discourse with the cultural cartel by developing a parallel system from within the infrastructure of the culture industry, by designing and simultaneously critiquing the development of … Continued

Each chapter explores the pertinent aspects of an independent record label’s design: Chapter one considers the discourse surrounding subculture and post-subculture in order to better understand the territory an independent record label emerges into. The chapter decodes pertinent theories in order to support different types of organisations, primarily the independent neo-tribal micro-societal organisation. It also … Continued

By way of conclusion, the present study considers the relationships Sunbird Records might have in the future, that is to say, after it has been concluded. In an essay for his edited book Resistance Through Rituals, cultural theorist Stuart Hall describes the transition from subculture to post-subculture as he writes: “Subordinate cultures will not always … Continued